The elasticity of the python skin enables the Erhu to create its remarkable sound. The front portion of the resonator, called the soundbox, is covered with python skin. The Erhu consists of a wood body, two tuning pegs, two strings, the nut, a resonator, and a bow. Read more: 10 Best Accordions For Beginners From the lowest voice to the highest, there are Ruan variants for contrabass, bass, tenor, alto, and soprano. The Ruan also comes in different sizes depending on the sound desired. The main dissimilarity between the two variants is that the metal makes a distinct, higher-pitched, and louder sound. In the same manner, the original ivory frets were replaced by metal counterparts in the modern versions of the Ruan. It originally had silk strings, but steel strings replaced them in the 20th century. The Ruan is one of the most recognizable Chinese string instruments due to its moon-shaped body. It comprises a neck with 24 frets, a wooden body, four strings, four tuning pegs, and a pick for plucking the strings. Sometimes referred to as the ‘Ruanqin’ particularly in Taiwan, the Ruan is another member of the plucked instrument group and is also part of the lute family. Harry Liu performs “Suite of Ruan” an original suite of music on the ruan, a traditional Chinese musical instrument 1000s of years old. Want to learn more about this Chinese musical instrument? Check out my article on the Guzheng here! 2. Incidentally, eight fingers are needed to play this Chinese string instrument, usually four on one side. Because of that, most, if not all, Zheng players wear the fingerpicks during performances. The Guzheng comes with eight optional fingerpicks that create highly audible sounds. There are 21 bridges and 21 strings across the soundboard. It has a mainly rectangular body 64 inches in length, with a soundboard, a tail, and a head that houses the tuning pegs. The Guzheng produces compelling melodies and is usually tuned to the pentatonic scale or commonly known as the five-note scale. The Guzheng is deemed as the progenitor of several Asian stringed instruments like the Mongolian Yatga, the Korean Gayageum, the Vietnamese dan tranh, and the Japanese Koto. The best example is the number of the instruments’ strings, which gradually increased from the original five to thirteen up to twenty-one in modern times. The Guzheng has undergone significant revisions throughout those years, and some were due to the cultural interactions among the other Asian nations. A number of the first variants were made of bamboo frames and silk strings. The 2,000-year-old Guzheng is commonly referred to by the Chinese as a Zheng.
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